There is an old saying that the late Paul Gruchow once wrote in his work “Grass Roots: The Universe of Home”: You go where the good people go. We make sure our people grow up in an environment where they can one day return. While half the graduating class of an average high school in a local town remain to start their families, the other half move to greener pastures, whereas half of those people eventually make their way back home after years of making a living and realizing it was not for them.
And as a person sees in this latest German film “Vadder, Kutter, Sohn,” home is where the heart is, even if there are changes in the surroundings. In this Genre of the Week drama, the focus is around the father, Knud Lühr (played by Axel Prahl), who fishes for crabs for a living, directs a rather dysfunctional choir that is about to celebrate its 100th anniversary of its founding, and is an avid gambler. He is rather well known to the locals of the village of Nienkoog, located in the Dithmarschen District in Schleswig-Holstein. One day, he encounters his lost son, with whom he had no contact for over a decade. Played by Jonas Nay, Lenny left with his mother for Hamburg, where he learns a trade as a barber/hair dresser and tries his luck in the business, only for him to lose everything, including his Apartment. Flat broke, he returns to his place of childhood, only to see many changes that he does not like at all and is eventually on a confrontation course with his father for his wrongdoings that made his life turn into a mess in the end. Realizing that he was becoming very unlucky with his business and his choir, Knud tries to win back the love for Lenny, getting him reused to the life that he once had before leaving for Hamburg.
Two factors played a key role in bringing Lenny back to his original self. The first is the bango, which Knud sold while Lenny was gone. Deemed as his indentity and his “starting capital,” Lenny freaks out when he learns the news of the bango, is lukewarm when Knud wins the bango back through a game of poker, and after failing to resell the bango, warms up to it by playing the tunes he learned while growing up. The other was a former classmate, Merle Getjens (played by Anna von Haebler), who is a local police officer that has a rural precinct and whose heart is in the healing process after her love-interest walked off to Kiel with another woman. Realizing that she and Lenny were on parallel paths, she awakens his interest as a hairdresser which later helps him rediscover himself and eventually reunite with his father and the people he once knew but left behind for “Nichts.”
To understand the film more carefully, you should have a look for yourself. Enjoy! 🙂
The song that is played throughout the film and is sung by Prahl and Nay can be found here:
Vadder, Knutter, Sohn is a film that combines comedy and drama, but also compares cultural and societal aspects, such as rural life in Dithmarschen versus city life in Hamburg, an established family versus lone wolves looking for love and a place to settle down, the have/have nots versus the has beens, the past life versus the present (including all the crises), and finally the is versus the should be. Each element is found in the characters, Knud, Lenny and Merle, leading to the quest to find the real Person, as Merle told Lenny after he kissed her in the hair dressing scene: “First find out who you are, then the rest will come after.” Eventually that came with not only the 100th anniversary concert but the elements that went along with it.
This leads me to a few questions for you to think about, let alone discuss:
- If you were like Lenny, would you return to your hometown, why or why not?
- What elements of your hometown do you miss? This includes the people in your life, places you visited as a child growing up, the food that you ate, extra-curricular groups you were in, and lastly, valuable assets you had (or even still have)?
- If you were to think about returning to your hometown, would these be the reason or are there other factors?
- If there was one element in your life that you did growing up, that you want to do again, what would that be?
- If there was one element in your life that you regret having done and would like to do again, what would that be and why?
These were the questions that the three characters faced during the film, but they are ones that you as the reader should answer at least two of them. Otherwise you must have had a very bad childhood. Having grown up in rural Minnesota, I had my places I used to go as a child, sports I used to do and music groups I was involved with, such as a barbershop quartet, madrigals, caroling, etc. And while I have already settled down permanently in Germany and closed the opportunity on moving back to the region, singing, especially in the barbershop quartet, and eating a “Wunder- bar”- an ice cream bar made with nuts that was homemade by a local (but now, non-existing) gas station would be the two I would not mind doing again.
What about you? What do you miss?
There are two sets of parallels among the three actors/-resses in this film. Axel Prahl and Jonas Nay both come from Schleswig-Holstein, so you can tell by the use of dialect and slang in the film. Prahl originates from Eutin, located southeast of Kiel, whereas Nay was born in Lübeck, home for its marzipan, maritime district, Holsten Tower and historic bridges. Prahl and Anna von Haedler star in the beloved German mystery series Tatort, where the former is half of the “Dream Team” for the Münster series. He Plays Frank Thiel, whereas his counterpart, Dr. Karl-Friedrich Boerne is played by Jan-Josef Liefers (who is from Dresden). Despite coming from Göttingen in Lower Saxony, Anna von Haedler plays Sabine Trapp in the Tatort-Cologne series, assisting the detectives, Ballauf and Schenk. Neither of the two have crossed paths in a Tatort episode as of present.